Thursday, April 29, 2021

Office Visit JNL fonts from Jeff Levine Fonts - (afukf)

Office Visit JNL
Office Visit JNL Office Visit JNLOffice Visit JNL

Designed by Jeff Levine, Office Visit JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.

Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.

The end result is Office Visit JNL, which is available in both regular and oblique versions.



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Wednesday, April 28, 2021

Pretty Magnolia fonts from Seemly Fonts - (avzgd)

Pretty Magnolia
Pretty Magnolia Pretty MagnoliaPretty Magnolia

Designed by Md. Shohail Bhuiyan, Pretty Magnolia is a hand display and hand drawn font published by Seemly Fonts.


Pretty Magnolia is a minimal and thin sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!





Late Hours JNL fonts from Jeff Levine Fonts - (wxukg)

Late Hours JNL
Late Hours JNL Late Hours JNLLate Hours JNL

Designed by Jeff Levine, Late Hours JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts.


The free form hand lettered titles for the 1961 film “The Children’s Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.





Peachi fonts from My Creative Land - (aiixd)

Peachi
Peachi PeachiPeachi

Designed by Elena Genova, Peachi is a display serif, retro and serif font family. This typeface has six styles and was published by My Creative Land.


Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look - round corners, slightly curved legs of capital K, R, V and W; and lowercase k, v, w and y. Rather heavy ball terminals and a very large x-heigh make Peachi a perfect choice for designing titles, book covers; for branding, quotes design - basically any design that needs to make an impact and to be remembered.
Peachi is released in 6 weights from Thin to Black and has stylistic alternates that make it even more versatile. While the default style follows Souvenir’s trend, the alternative style looks more modern. It’s totally up to you which style to choose for your design.
To access all alternates and ligatures you’ll need an OpenType aware application such as Adobe Suite or MSWord.





Monday, April 26, 2021

Formal Event JNL fonts from Jeff Levine Fonts - (bpuuw)

Formal Event JNL
Formal Event JNL Formal Event JNLFormal Event JNL

Designed by Jeff Levine, Formal Event JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.


The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.



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Date Book JNL fonts from Jeff Levine Fonts - (swkir)

Date Book JNL
Date Book JNL Date Book JNLDate Book JNL

Designed by Jeff Levine, Date Book JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts.


The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions.

A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.





Arrow Callouts JNL fonts from Jeff Levine Fonts - (afedh)

Arrow Callouts JNL
Arrow Callouts JNL Arrow Callouts JNLArrow Callouts JNL

Designed by Jeff Levine, Arrow Callouts JNL is a monograms and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.


Here’s a set of arrow shaped callouts in two varieties within one font.  The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys.

The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key.  The ‘zero’ key houses the number ‘10’.

For a more dynamic look, the font is also available in an oblique version.



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