Designed by Jeff Levine, Formal Event JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.
The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.
Designed by Jeff Levine, Date Book JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts.
The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions.
A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.
Designed by Jeff Levine, Arrow Callouts JNL is a monograms and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.
Here’s a set of arrow shaped callouts in two varieties within one font. The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys.
The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key. The ‘zero’ key houses the number ‘10’.
For a more dynamic look, the font is also available in an oblique version.
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| Designed by David Kerkhoff, Catskin is a hand display font family. This typeface has two styles and was published by Hanoded. |
Catskin is a fairytale by The Brothers Grimm. The story is about a king who has a beautiful wife and daughter - you know, the basic fairytale stuff. Long story short: they all live happily ever after (except for the wife, who dies…).
Catskin is also a nice, handmade font. I like making fairytale fonts, especially since I have three kids, who love books. And when I see one of my fonts on the cover, I can tell them: ‘daddy made this’. #prouddaddy
;-)
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| Designed by Jonathan Hill, Kopik is a comic and hand drawn font family. This typeface has six styles and was published by The Northern Block. |
Kopik is a modern hand-drawn script inspired by the 1960’s architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of written applications.
Details include 440 characters, three weights with matching italics, alternative a, g, and y four numerals variations. Opentype features inferiors, superiors, fractions and language support covering Western, South and Central Europe.
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| Download Kopik Fonts Family From The Northern Block |
Neon Love is a script font family. This typeface has two styles and was published by Schriftlabor.
Neon Love was designed originally for a circle coaster design with a quote by the Beatles’ “All you need is Love, Love is all you need”. The inspiration of the lettering was a neon sign style where a cursive script is kind of bended from those glass wires. The idea was to get the overall look and feel of neon signs into a font, as well as creating a good raw material to use for some further photoshop effects to enhance the visual presentation. Neon Love has many OpenType features that allow for choices that can make the lettering unique.
Neon Love has two versions of the font a Smooth one which is connected and the Cutout version which can be used to create neons and for this it is in parts.
Design by Roland Hüse and Schriftlabor team.
Designed by Adam Ladd, Otterco is a display sans and sans serif font family. This typeface has thirty-two styles and was published by Adam Ladd.
Otterco is a geometric sans serif font family with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications.
Coming in both Normal and Display families, the fonts can be used for even more settings and tone of voice. The Normal design has a little less width contrast between characters and looser spacing—good for both small and large text. While the Display design has more character width contrast and tighter spacing—good for larger, attention-getting text.
With 32 total fonts in thin through extra bold weights (plus italics), Otterco is well suited as both a versatile text and display font for branding, advertising, packaging, headlines, magazines, websites, logo designs, and more.
Otterco’s features include:
• Normal and Display families (32 total fonts)
• Stylistic alternates (K, M, R, a, k, &)
• Case-sensitive punctuation for All Caps
• Arrow icons
• Fractions, numerators, denominators
• Superscript, subscript
Having almost 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.