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| Designed by Jakob Fischer, Doorkick is a grunge and hand display font family. This typeface has two styles and was published by Bogstav. |
Doorkick is my grungy handmade font with rough lines and a squarish look. Each letter has 5 different versions, which automatically cycles as you type - leaving your text with a super lively and natural/organic look.
I’d say that Doorkick is best for short words or shoutouts, but try it out it massive text too! I dare you! :)
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| Designed by Jakob Fischer, Blastered is a hand display font family. This typeface has two styles and was published by Pizzadude.dk. |
Blastered was originally inspired by an old horror movie poster - but I find it more laid back and less horrifying…but feel free to use Blastered for your next horror project and use the more than 300 interlocking ligatures! Wow!
Designed by Dan Jones, Biotic is a sans serif font family. This typeface has twenty styles and was published by TypeUnion.
Biotic is a dual-personality 18 style typeface which features two distinct design approaches that can be initiated with the flick of a switch.
The natural design approach uses conventional forms for a geometric sans but when you switch to the engineered approach some key glyphs become squared to create an edgy approach in an instant. The characters that change are f, i, j, k, l, t and y, along with all punctuation and accents which switch to the square approach.
Biotic covers extended latin and basic Cyrillic and includes many opentype features such as stylistic sets & alternates, two sets of arrows, circled & old-style numbers, along with case sensitive punctuation and much more.
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| Designed by Hendry Juanda, Grandice is a blackletter font published by Letterhend Studio. |
Introducing, Grandice- A blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Download Grandice Fonts Family From Letterhend Studio |
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| Designed by Rodrigo Salas and Franco Hernández, Clarence Inline is a hand display font family. This typeface has six styles and was published by Rodrigo Typo. |
A display typeface with a lot of personality and different alternatives contains inline, layers as shadows
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| Download Clarence Inline Fonts Family From Rodrigo Typo |
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| Designed by Ana Parracho, Leaves and Twigs is a hand drawn, modern calligraphy and dingbat font family. This typeface has eight styles and was published by Ana's Fonts. |
Leaves and Twigs is a handwritten font trio and floral illustrations collection with lots of bonus goodies, that is perfect for logotype design, branding and packaging, and social media posts.
Just in time for the holidays, Leaves and Twigs is a also perfect for homemade seasonal designs (such as postcards, prints, and present tags).
Included in this collection:
- a tall, all-caps sans serif font - with a slant alternative
- a small, spaced sans serif font - with a jumpy alternative
- a spaced script font - with a slant alternative
- a floral illustrations dingbat font - with a blackout alternative
All written with the same pen, at the same size, so that the line width is consistent throughout the collection, for easy pairing (floral illustrations are sized down by 4x).
Plus bonus:
- over 160 Photoshop stamp brushes (in .ABR and .PNG files)
- 5 high resolution paper scans (perfect background for your designs!)
- 24 hand-painted color blobs (.PNG on transparent background)
Designed by Aakash Soneri, AmpleNu is a display sans and sans serif font family. This typeface has sixteen styles and was published by SoneriType.
AmpleNu is a display type family derived from the Ample typeface.
It has optical mono-linear stroke and a bit squarish form in nature. It has a seamless stroke movement instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design.
It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasize the message. It is graphically strong and commands the viewer’s attention. The overall appearance of type is suitable for setting and using it as heading, title, headline, logotype, etc.
The type family consists of sixteen styles which include eight upright weights and their italics.
AmpleNu has a bit more squarish counters and angles than Ample typeface, it even has straight terminals while Ample has a slight curve. In addition to this, few characters have some major or minor changes and the letter ‘g’ plus ‘y’ and their respective diacritics have alternate style variations.
AmpleNu is designed by Aakash Soneri during the period between 2018-2020.