Designed by Jakob Fischer, Happy Laundry is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk.
Happy Laundry is my laid back happy kids font. Smooth and yet rough here and there. I’d say that Happy Laundry would suit your birthday invitations, posters, packaging and other products perfectly! Enjoy! :)
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| Designed by Ale Navarro, Lc Trinidad is a sans serif font family. This typeface has eighteen styles and was published by Compañía Tipográfica De Chile. |
Lc Trinidad is the result of a series of wonderings regarding geometric Sans Serif typography design, in particular; Futura of Paul Renner.
A “conversation” arose between me and the designer – actually there was no conversation, it is an euphemism for “I saw his designs, I draw them and discussed with myself some of his decisions – that ended up being the origin of this font firsts glyphs: A, H, N, O, R and S.
I started with uppercase letters, and here is when Rudolf Koch with Kabel and his “Das schreibbuchlein” joined the conversation. This is how I could develop some alternative lowercase letters so as to illustrate this imaginary discussion.
The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations.
The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family.
Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, small caps numbers, arrows, fractions, superscripts, subscripts and many more.
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| Designed by Cristóbal Henestrosa, Mon Nicolette is a display serif font family. This typeface has ten styles and was published by Sudtipos. |
This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente.
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| Download Mon Nicolette Fonts Family From Sudtipos |
Designed by David Kerkhoff, Capricious is a brush display, grunge and hand display font family. This typeface has two styles and was published by Hanoded.
I don’t think I’m a capricious person, but right now, due to the enormous amount of renovation work on our home, I do get bad moods quite often!
Capricious font is a hand painted all caps font: I used my favourite Chinese ink, a brush and very rough paper to get the desired ‘eroded’ effect.
It is quite a heavy display font, so I wouldn’t really set a text in it, but it works really well for headlines, catching titles and products that need some pepper!
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| Designed by Cucu Supriyadi, EXORTS COMPRESSED is a display sans font family. This typeface has sixteen styles and was published by Seventh Imperium. |
Exorts Compressed is a display font family. This square condensed sans is designed with an increased cap character and tight kerning to give the ability create the large and bold typography. It is made specifically for editorial design, headlines, posters, magazines, clothing and other purpose printed material.
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| Download EXORTS COMPRESSED Fonts Family From Seventh Imperium |
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| Designed by Nasir Udin, Proda Sans is a sans serif font family. This typeface has eighteen styles and was published by Nasir Udin. |
Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright.
It’s a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.
Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages.
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| Download Proda Sans Fonts Family From Nasir Udin |
Designed by Hendry Juanda, Franceur is a hand display and hand drawn font family. This typeface has four styles and was published by Letterhend Studio.
Introducing, Franceur. A condensed display typeface with natural hand writing feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase (alternates)
- numbers and punctuation
- Ligatures and alternates
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Email us to letterhend@gmail.com if you need something! Happy Designing!