Designed by Ricardo Marcin and Erica Jung, Ars Nova is an art nouveau font published by PintassilgoPrints.
Ars Nova is an up-to-date incarnation of the Art Nouveau flair.
Suited for striking typographic effects.
Suited for some nostalgic pleasure.
Specially suited for creative minds.
Cheers!
Designed by Seán Mongey and Max Phillips, Tenon is a sans serif font family. This typeface has six styles and was published by Signal Type Foundry.
When we trimmed the serifs off our new slab serif family Mortise, we found a plain, efficient sans that marches through the uncanny valley between grotesk and geometric, with almost circular bowls that lend extra energy to the line. Like its sibling, Tenon has open counters, a generous x-height, and wide proportions that suit small sizes and small screens. Used larger, its brisk, optimistic air makes it a good choice for projects ranging from editorial design to signage. It’s available in six weights, from the precise X-Light to the muscular X-Bold.
Designed by David Kerkhoff, Guilty Pleasure is a brush display and hand display font family. This typeface has two styles and was published by Hanoded.
Some time ago, my kids asked me what kind of sweets I really liked. To be honest, I don’t actually like sweets at all - never have, never will. BUT… you can wake me up for chocolate and ice cream! Those are my guilty pleasures!
Guilty Pleasure is a handmade font. I used China Ink and a brush to create all the glyphs. Guilty Pleasure is a very distinct display font. I recommend you use it for your ice cream or chocolate packaging… but that, of course, is entirely up to you!
;-)
Designed by Rodrigo Fuentes, Tectonic is a display serif and serif font family. This typeface has three styles and was published by Untype.
Tectonic is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight.
Solid and heavy yet full of delicate details and variations, Tectonic was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.
Designed by Jakob Fischer, Heavy Pitch is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.
Fun packed comic style font. Especially made for commercial products such as all kinds of packaging, cereals, video games, candy, kids toys and alike. I added ligatures for double letters to avoid a repeating look. Enjoy!
Designed by Anita Jürgeleit, Cosima is a sans serif font family. This typeface has eight styles and was published by Anita Jürgeleit.
Cosima is an effective workhorse with a touch of subtle elegance, designed by Anita Jürgeleit.
Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typeface for a brand and advertising is just as important as using the right font for app design, magazine or editorial – typography is always the essential part.
Cosima’s vertically and horizontally cut stems make it appear strong and steady. The narrowed characters and expanded lowercase heights have an elegant impact on the text settings and show joyful designed details in larger sizes.
This type family is available in 8 styles. Its language support covers 93 Latin languages, including Vietnamese. It provides an extended set of fractions, sub- and superscripts, lining and tabular figures. Sign up for news and updates about Cosima at www.anitajuergeleit.de
Designed by Dave Rowland, Gelato Fresco is a brush script and script font family. This typeface has six styles and was published by Schizotype Fonts.
Gelato Fresco represents a coming-of-age of a script font that started life in 2011 as the popular Gelato Script. In 2018, Gelato Luxe sought to improve on Gelato Script, and now, with the addition of extra weights for the first time, Gelato Fresco takes the baton.
What was always a typographically sophisticated and versatile font, has reached new levels of usability as it becomes a family. In its previous incarnations, the typeface has graced everything from designer handbags to prime-time TV shows; food blogs to wedding invitations; glossy magazines to (not so imaginatively!) ice cream shops. I can’t wait to see what this even more versatile version gets used for.