Monday, September 30, 2019

Download Cookie Crumble Font Family From Hanoded

Download Cookie Crumble Font Family From Hanoded
Download Cookie Crumble Font Family From Hanoded Download Cookie Crumble Font Family From HanodedDownload Cookie Crumble Font Family From Hanoded

Designed by David Kerkhoff, Cookie Crumble is a hand display font family. This typeface has two styles and was published by Hanoded.


I like cookies. Especially butter cookies and ginger nuts. The word cookie comes from the Dutch word ‘koekje’ - which means exactly the same.
Cookie Crumble is a cute little font that I made on a rainy day. I just needed something that looked and sounded happy and I guess it applies to this font.
Cookie Crumble comes with a bunch of alternates, a full set of diacritics and a bit of sunshine to chase away your rainy day.



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Download Indbydelse Font Family From Pizzadude.dk

Download Indbydelse Font Family From Pizzadude.dk
Download Indbydelse Font Family From Pizzadude.dk Download Indbydelse Font Family From Pizzadude.dkDownload Indbydelse Font Family From Pizzadude.dk

Designed by Jakob Fischer, Indbydelse is a comic, display and hand display font family. This typeface has four styles and was published by Pizzadude.dk.


I would like to invite you to a party, wedding, birthday, event, gameshow, baby shower, housewarming ... ehh, what I mean is: this is an invitation to (almost) anything!
As you may have read, “Indbydelse” is danish and means “invitation” - why? Well, because these four fonts have enough power to create an exciting invitation! Use them as single fonts, combine one, two, three or all four - that’s totally up to you!
They have all got multilingual support as well as contextual alternates with several different versions of each letter!



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Friday, September 27, 2019

Download Klapt Font Family From SevenType

Download Klapt Font Family From SevenType
Download Klapt Font Family From SevenType Download Klapt Font Family From SevenTypeDownload Klapt Font Family From SevenType

Designed by Vitória Neves, Klapt is a display sans font family. This typeface has four styles and was published by SevenType.


Klapt is a geometric sans serif family that is soft on the outside and sharp on the inside.

This family, of four weights, includes an extended character set supporting most Latin languages even Vietnamese!

Klapt, which can be bold or very elegant, is well suited for designs ranging from branding and corporate identity to editorial design and also web design.

It is great for display purposes especially for headlines, posters, magazines, book covers, logos… you name it!

Feel free to share your designs using Klapt or just get in touch via email to hi@seventype.com.



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Download MADE Dillan Font Family From MadeType

Download MADE Dillan Font Family From MadeType
Download MADE Dillan Font Family From MadeType Download MADE Dillan Font Family From MadeTypeDownload MADE Dillan Font Family From MadeType

Designed by Maxim Schepin and Denis Schepin, MADE Dillan is a retro and serif font published by MadeType.


MADE Dillan is a soft serif typeface.

MADE Dillan will perfect for many project: fashion, magazines, logo, branding, photography, invitations, quotes, blog header, poster, advertisements, postcard, etc.



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Download Checkpoint Signature Font Family From Set Sail Studios

Download Checkpoint Signature Font Family From Set Sail Studios
Download Checkpoint Signature Font Family From Set Sail Studios Download Checkpoint Signature Font Family From Set Sail StudiosDownload Checkpoint Signature Font Family From Set Sail Studios

Designed by Sam Parrett, Checkpoint Signature is a multiple classification font family. This typeface has three styles and was published by Set Sail Studios.


Make your point with Checkpoint Signature; a cool, confident & high energy signature-style script font guaranteed to make a big impression. Digitally hand-drawn, it’s super-clean smooth flow and high-intensity pen strokes make an unmistakeable impact in logo/branding projects, large header text and product packaging.

Checkpoint Signature is packed full of extra features to give you plenty of customisation options. This includes; a full set of upper and lowercase alternate letters, 20 ligatures (double letters) to help the script lettering flow more naturally, 26 swashes and a full set of lowercase end forms to give your text that extra flair and finesse.

Here’s a run through everything you get in more detail;

Checkpoint Signature • A smooth-edged signature style font containing upper & lowercase characters, numerals, and a large range of punctuation.

Checkpoint Signature Alt • This is a second version of Checkpoint, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

Checkpoint Signature Swash • A third font containing 26 hand drawn swashes. Simply type any a-z or A-Z character in this font to generate a swash. Perfect for underlining your Checkpoint text and adding a bit of extra flair!

Ligatures • 20 ligatures (double-letters) are included to help your lettering flow more naturally. Many programs will automatically have this feature switched on for you, but if you need any help accessing them, please feel free to drop me a message.

End forms • Are available for all lowercase characters when using the Checkpoint font. Use these characters at the end of your word to add a stylistic ‘end-swash’. These are accessible via software with opentype capability, by turning on ‘Stylistic Alternates’, or via a Glyphs panel.

Language Support • Checkpoint fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian



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Download The Pretender Collection Font Family From Vintage Voyage Design

Download The Pretender Collection Font Family From Vintage Voyage Design
Download The Pretender Collection Font Family From Vintage Voyage Design Download The Pretender Collection Font Family From Vintage Voyage DesignDownload The Pretender Collection Font Family From Vintage Voyage Design

Designed by Pavel Korzhenko, The Pretender Collection is a multiple classification font family. This typeface has thirty-four styles and was published by Vintage Voyage Design.


Proudly Introducing you my new font collection – The Pretender.

This collection was born and inspired by American sign painting typography and vintage package design. Wide range of styles for a wide range of use. This collection gives you awesome vintage look effect, which one will add the hand-touch feeling for your project. Light, Regular, Medium and Bold widths goes as Sans and Serifs and Normal or Expanded! And, of course, vintage candy Script! But that’s not all – Every font comes as a Clear and Pressed style! So, you get a 34 authentic typefaces!



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Download Gainsborough Font Family From Fenotype

Download Gainsborough Font Family From Fenotype
Download Gainsborough Font Family From Fenotype Download Gainsborough Font Family From FenotypeDownload Gainsborough Font Family From Fenotype

Designed by Emil Bertell, Gainsborough is a multiple classification font family. This typeface has four styles and was published by Fenotype.


Gainsborough - a clean-cut display pack.

Gainsborough is a display combo pack of three styles and extra swooshes. Gainsborough fonts are straightforward with characteristic clarity. All the three fonts are designed to play together. Gainsborough is very easy to use.

Gainsborough Pen is a clear script inspired by handwriting with pigment pen but polished clean to be legible and inviting. It’s equipped with Contextual Alternates and Standard Ligatures for smooth flow and connections between letters. In addition there’s Stylistic and Swash Alternates for standard characters.

Gainsborough Sans is a sturdy street-sans ready for action. It’s has zero contrast and angular geometric shapes. It’s great for bold headlines. Gainsborough Serif follows pretty much the same proportions but with the serifs and a little bit of contrast and round shapes.

Try combining Gainsborough Swooshes with Gainsborough Pen - type one character with Swooshes in the end of a word typed with Pen and you’ll have an ending swash reaching below the word. There’s different shapes and length swooshes + a couple of center balanced ornaments. 



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Download Overbeat Font Family From Pizzadude.dk

Download Overbeat Font Family From Pizzadude.dk
Download Overbeat Font Family From Pizzadude.dk Download Overbeat Font Family From Pizzadude.dkDownload Overbeat Font Family From Pizzadude.dk

Designed by Jakob Fischer, Overbeat is a grunge font published by Pizzadude.dk.


Grunge is not dead! Neither is punk!
The proof is the Overbeat font! It has got both grunge and punk in the one and same. The letters are grungy, and punked up with a sort of halftone slime effect. It’s hard, it’s tough and perhaps even scary!
Play around with the font and you’ll quickly notice the variety of the font. Each lowercase letter has 4 different versions and there is ligature substitution for most common uppercase double letters! 



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Download Amica Pro Font Family From Schizotype Fonts

Download Amica Pro Font Family From Schizotype Fonts
Download Amica Pro Font Family From Schizotype Fonts Download Amica Pro Font Family From Schizotype FontsDownload Amica Pro Font Family From Schizotype Fonts

Designed by Dave Rowland, Amica Pro is a sans serif font family. This typeface has eighteen styles and was published by Schizotype Fonts.


Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Schizotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that’s easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs.
When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware’s Latin Plus character set, as well as extra support for Vietnamese.
Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn’t mean it’s not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected “sloped romans” and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing.

*I looked at a few fonts and drew some lazy conclusions.



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Download Boys on mopeds Font Family From Pizzadude.dk

Download Boys on mopeds Font Family From Pizzadude.dk
Download Boys on mopeds Font Family From Pizzadude.dk Download Boys on mopeds Font Family From Pizzadude.dkDownload Boys on mopeds Font Family From Pizzadude.dk

Designed by Jakob Fischer, Boys on mopeds is a hand display, kids and serif font published by Pizzadude.dk.


Sometimes you just want to have fun, and “Boys on mopeds” will take you there!
Boys on mopeds are a simple-minded serif font with a fun and loose twist. I’ve added several versions of each lowercase letter: you have 4 different versions to choose from. Enough to make your invitations, diary, posters, postcards, novels, stickers ... ahhh ... the list is long - and the use of Boys on mopeds is almost endless!
Comes with a bunch of international letters, so fun is available in many languages! :)



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Download Generisch Font Family From Akufadhl

Download Generisch Font Family From Akufadhl
Download Generisch Font Family From Akufadhl Download Generisch Font Family From AkufadhlDownload Generisch Font Family From Akufadhl

Designed by Fadhl Waliy Ul Haqq, Generisch is a sans serif font family. This typeface has twelve styles and was published by Akufadhl.


Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its “simple” design. Generisch is influenced by early grotesk typefaces from early 1900’s when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.



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Download Bridge Head Font Family From TypeMates

Download Bridge Head Font Family From TypeMates
Download Bridge Head Font Family From TypeMates Download Bridge Head Font Family From TypeMatesDownload Bridge Head Font Family From TypeMates

Designed by Mona Franz, Bridge Head is a display serif and serif font family. This typeface has eighteen styles and was published by TypeMates.


Bridge Head, an editorial rockstar to attract attention in large sizes with high contrast and expressive geometric counters. With three different widths in six weights, Bridge Head has the perfect voice for stunning titles. A solo career in posters, banners and logos doesn’t stop Bridge Head from rocking in concert: each of her 18 display styles can work together with Bridge Text to tell stories and build complex typographic ensembles in editorial and corporate design.

Where other display typefaces let their thin strokes fade away, Bridge Head keeps the volume and emphasises her wedge serifs and curvy detailing. A large x-height brings out her distinctions, like the four-cornered counter shapes, the voluminous terminals and the monolinear lines that connect her thick strokes and help give Bridge her graphic image.

A type system flexible enough to bridge print publishing to digital media, with a kickass K and rebellious R, Bridge Head can shout out loud and make a design that can take her intensity unmistakable and independent of slick conventions.

With hands-on OpenType features like small caps and case-sensitive punctuation and more than 800 glyphs, Bridge can fulfil your every display need. Adobe Latin 3 (and beyond) encoding gives a wide range of Latin language support and additional helpful symbols like the charming manicules and dingbats complete a rich typographic palette.

Bridge’s ideas and foundations began during TypeMedia 2018 (https://www.typemedia2018.com/mona) in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you



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Download Bridge Text Font Family From TypeMates

Download Bridge Text Font Family From TypeMates
Download Bridge Text Font Family From TypeMates Download Bridge Text Font Family From TypeMatesDownload Bridge Text Font Family From TypeMates

Designed by Mona Franz, Bridge Text is a serif font family. This typeface has ten styles and was published by TypeMates.


The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes.

Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design.

Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by more than optical adjustments. Letterforms and details are opened out or simplified for body text. Close up, the two-cornered counter shape that gives text a crisp character appears. Step back, and a smooth, calm texture for print publishing and digital media emerges. The daughter of classical Didone typefaces, Bridge has a vertical stress and a modern treatment.

Bridge’s ideas and foundations began during TypeMedia 2018 (https://www.typemedia2018.com/mona) in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you!



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